Showing posts with label Armand. Show all posts
Showing posts with label Armand. Show all posts
Tuesday, July 31, 2012
Things We Couldn't Bear to Say
Dear Armand,
We have always been haunted by this notion: that what we have is ephemeral and we both think that we imagined each other. We would stash it away to the back of our minds or pretend that everything would work out because I love you too much to lose you to dust and you're too afraid of the truth. You will never accept the idea that you're a phantom because what then, if I un-imagined you; and I shudder under the possibility of completely obliterating an individual from the face of this world. We can never be entirely sure who and what is real. And so, we are trapped in stasis, forever dreading the time when one of us fades away.
Tuesday, July 17, 2012
What I Should've Said When People Ask About You:
You are
the ragged breath between cries,
the space between words and the
intervals between time.
Your words are the effluent blood
draining from a dying body,
Your eyes the thunderstorms
unfolding in the night.
You are
the chasm in my head,
the moment between waking and sleeping,
the radioactive particles invading my body and the
ethereal quality of dreams.
You are
the echo behind my thoughts and the
scent issuing from my skin.
Your touch is the inexorable waves crashing
onto the pliant sand,
Your lips an impending
love poem.
You are everything
and more
and you are nothing.
Wednesday, June 27, 2012
June 27th
Armand:
We are what we eat. If that is true then I must be made of you and you must be made of me. We have spent so much time together breathing each others' molecules and feeding on each others' love that there must be a bezoar made of you lying at the pit of my stomach.
You love me, my darling, but I'll never be free from the ravening and hopeless desire I feel for you. You can wrap me in your arms and legs and hold me so tight my ribs fit into yours or you can go through seven hells to prove your love for me, I will still starve for you. I'm rapacious and insatiable and I want to hold you in my bones and melt you into my marrows. I want... oh, I want, want, want, want, want!
Don't you see how frantically, insanely and destructively I love you? Your presence would ameliorate the frenzy but what then, when you're not with me? Who else would be there to protect me from myself? So please, don't leave me alone with my heart, it'll destroy me. Claw it out of my chest, if you will - I don't care - just take it with you, you know what to do with it better than I do anyway.
And as always, I love you to death.
Tuesday, May 15, 2012
To Armand,
My dark prince, my twisted twin, my tragic dreamer. You alone understand the blackness that comes in waves, you alone stepped into this whirlpool of demons and loved them all. You kissed them on their gnarled and distorted mouth, as if they were docile kittens, merely because you love me and they were part of me.
Love you, love you as I've never loved, love you beyond consciousness, beyond mortality, love you beyond comprehension. This savage and unequivocal love knows no bounds, wants you and your body and your blood. Wants your thrashing soul between my teeth.
I love you so much I rip myself apart mentally for you. It's a terrible love and we bring each other into such pure, psychedelic inebriation that transcends all meaning and coherence. We are two lost souls finding the light, and in doing so we surrender our everything. Fragments of us are disgorged into this great, empyrean void - so humbly and so modestly called love - that we leave almost nothing of our original selves behind.
Don't you see? There's no part of me that's untouched by your effulgence. My entire being is marked and scarred by you and still I want more. I'll forever be wanting more.
Always,
Sheryl.
Tuesday, March 27, 2012
We're Monsters Together
I am not the princess and you are not the prince. You are the vicious, snarling dragon and I am the effulgent scales on your reptilian body. I am the thorny spikes undulating along your spine, the all-consuming fire you breathe.
We'll kill princes and princesses and kings and queens. We'll eat armor-clad soldiers by the legion and burn castles of steel and stone. We'll fly the night sky and rule the world.
We are monsters together, you and I.
Saturday, February 25, 2012
Armand:
You said you like my skin. Milky white and luminescent behind the crimson silk. Touch it then, I whisper. Trace it with your finger but be gentle, and soft. My skin is so thin it will break at the slightest pressure, and the red would come out of me, and I will die. Trust me, darling, I'll die.
Monday, January 30, 2012
My Beloved,
I can no longer think of anything else but you. In my mind I grasp you, I kiss you, I hold you in my arms a thousand times.
You are my immortal Eros, my angel of the night. You, whom I see only in the light of the moon, in the confines of the dark. You are warmed by the blood of others and with this warmth you console my cold, gelid heart. Mon Dieu, what is to become of me? You have deprived me of all reason in your absence and I spend the days in a trance.
I want to cover you with love, with caresses, with little kisses. I want to shower it upon you so that you faint and die and whisper in my ear that you love me and will always love me and will never leave me again. I want you to cut your heart out for me and I will swallow it whole.
Darling, do not doubt my love for you. I would trap you in my arms so that when the sun rises you turn to ashes. And I would breathe you into my very soul so that you are with me always, never to part. But until then, I'm forever yours.
Love,
Sheryl.
Thursday, December 15, 2011
The Story of Armand - Revised
Born in the late 15th century in Kiev Rus, Armand was an extraordinary ikon painter, pumped full of religious fervor by the ascetic Eastern Orthodox Church. He was kidnapped by slave traders at the estimated age of 15 and sold to the brothels in Constantinople and Venice.
In the face of such horror and sin that was unheard of in his previous pious life, he withdrew into himself, talking to no one and refusing food and drink to the brink of death. When Marius, a vampire, discovered him, he took pity on Armand and bought him from the brothel and brought him back to his house where he nursed him back to health and gave him the best education possible. Armand discovered that he developed amnesia in his state of mental and physical torture and could paint no more.
Marius and Armand had a clandestine relationship as Marius sought to protect him from the evil of becoming a vampire. It became inevitable though, when Armand was poisoned by a jilted lover whose love he did not reciprocate. And so, at the age of seventeen and on the brink of death yet again, Armand was brought into the Dark World by Marius.
Their happiness was short lived and soon came along Santino and his Satanic coven who believed that those Born into Darkness are the Children of Satan and should therefore, renounce all luxuries and walk only in the places of darkness. They believe that to enjoy life as mortals and to walk among mortals when it is their sacred duty to kill and kill only was to defy Satan. And so Marius was burnt and Armand was captured. But because of Armand's earlier religious ardor, he was spared.
Having lost his master and his mortal loved ones and tortured almost to the point of insanity, Armand yielded to the cult. Though having never truly believed their claims, he was nonetheless devoted to the work and perfected their every rule and rose as a powerful figure in the coven. He was sent to the Parisian coven to take over as a new leader.
Then came along Lestat, armed with the powerful blood of an ancient, strutting the streets of Paris with his exorbitant clothes and dancing in the courtyards of the church. It was monstrosity and the Children of Darkness were confused. The old belief was proven to be complete farce and the coven was destroyed.
Unbearably detached once again, Armand formed a new coven of vampires who were disguised as actors to sing and dance and even kill on stage while the mortal audience were completely ignorant of the much darker truth. Eventually, weary of the new generation of vampires in the Theatre des Vampires he allowed them to be annihilated by Louis, whose passion and thirst for knowledge he was in love with. But Louis never recovered from the tragedy of Claudia's death and remained utterly devoid of passion and the burning fire of curiosity Armand had so loved in him. And so, reiteratively hurt and alone, he left Louis to his own mourning.
In a state of loneliness, Armand created a fledgling out of Daniel Molloy but it only proved to be a failure. Separated by the inevitable silence between maker and child, they drifted apart as Armand had so precisely predicted.
When Lestat brought the Veronica's Veil back from hell, Armand went into a state of frenzy and tried to immolate himself by exposing himself to the sun. He was badly burnt but powerful enough to stay alive. Benji and Sybelle, mortals who discovered him, nursed him until he regained his strength. And that is the end of the known story.
As of now, of course he's with me . And always will be because I'll never let him go.
Friday, October 21, 2011
Happy Birthday, Love
Darling, what more can I say that I have not said thousands of times over? That I love you? That I've always loved and will always love you?
Truth be told, I fell in love with you because of your darkness. Not your curly auburn hair or the soft brown eyes or the Cupid out of Caravaggio looks, though it certainly helped. No, it
My omnipresent guiding angel, you've always been there to lead me through life with answers. Answers that I need but could never voice. These are the doubts and the fear that haunt me night and day. These are the questions that break me down and eat me up from the insides. And there is that tragedy that no one seems to understand. As Melchior so perfectly puts it: there's no one to see who can see to my soul. You help me discover who I am and isn't that one of the greatest essence of love? To find yourself through love?
You swing from periods of hedonistic denial of a higher power to bouts of zealotry but there is no mistaking the passion in your soul. You're enshrouded in your own anguish but it doesn't overwhelm; rather it ebbs and throbs in harmony, like the pulsing of a heart. You sometimes lose yourself and it is in those times of vulnerability that I ache for you all the more.
I could love you with an ardence that could burn us both to cinders and yet I could love you like the gentle waves lapping at the shore. Sometimes it feels as if my heart is brimming and overflowing with love that I couldn't contain anymore and yet I would go on the next day, at perfect harmony with love again. I could love you to the point of delirium and in that moment of hysteria I found the ephemeral peace.
Who are you to stir such emotions in me? Yet, even when I ask this question I know the answer, know it indisputably as you might know it.
It seems that of all the languages in the world, there is nothing that expresses as much as these words: I love you. It has always been love, pure and simple, intricate and divine; and there is nothing more nor less to it.
Happy 531st Birthday!
Love always and forever,
Sheryl.
Wednesday, August 24, 2011
Dear Armand,
Because of you, in gardens of blossoming flowers I ache from the perfumes of spring. I have forgotten your face, I no longer remember your hands; how did your lips feel on mine? Because of you I love the white statues that have neither voice nor sight. I have forgotten your voice, your happy voice; I have forgotten your eyes. Like a flower to its perfume, I am bound to my vague memory of you. I live with pain that is like a wound; if you touch me you will do me irreparable harm. Your caresses enfold me, like climbing vines on melancholy walls. I have forgotten your love, yet I seem to glimpse you in every window. Because of you the heady perfumes of summer pain me; because of you I seek out the signs that precipitate desires: shooting stars, falling objects.
Love forever and always,
Sheryl.
(courtesy of P. N.)
Wednesday, July 28, 2010
Confessions
Note: To Nicolas. And Armand. And of course, Rachel. I love you all.
What does it really mean, to forgive? To drown the anger that still burns deep within my soul... to set aside any transgressions of the past? You have your demons and I have mine. To push them aside would be to deny a significant piece of myself. The rage and the pain are all a part of who I am. I can never count the number of times that you hurt me. Bruises and broken bones meant nothing to me. Such things heal quickly among our kind; yet the scars will always remain, hidden, safely out of sight... a perfect reminder of why what we both wanted could never be. Hurt me, break me and stain your alabaster hands with my blood, these things can be forgiven... but never turn your back on me. That is the ultimate betrayal.
Ah, but as often as you tore me down you also lifted me up on a cloud of sweet elation. I was dying inside. The love and the hate that once consumed me had burned down to nothing but a glowing ember. The others were lifeless and I was doomed to become one of them. Marionettes on broken strings. They needed me to quicken them, to pull the strings that would lead them into this new life but how could I guide them when my own soul was so cold and numb?
It was in that time of absolute darkness that I turned to you to light the way. You... so detached and apathetic. To see that spark of anger in your eyes would stir those deep emotions which I had thought were lost forever. God, how I hated you! Yet, how I loved you! There were times when I wanted to tangle my fingers in those soft auburn curls and dash your head against the wall, and in that very same moment I longed to pull you close and devour those cupid’s bow lips with mine. To torment you was bliss. You often left me hanging on the verge of the most overwhelming ecstacy... yet one step too close would send me tumbling back into the abyss. It was always an exhilarating balancing act between us.
Must I say the words? I tormented you because you made me feel. I would have perished of my own doing within those first few years without you to give it all meaning. You were my life, Armand. You forced me to carry on when I lacked the strength to do it alone.
In those last troubled years... the plays I wrote were for you alone. You know that, don’t you? They were a release from the darkness but they were also so much more than that. Everything that you ever wished to know of me had been scribbled onto those pages. My characters said the words I could have never spoken. Nothing was ever hidden from you. It was all right there in the scripts. The music expressed it best of all. Every time my bow came down upon the strings in a fierce crescendo or in a hushed elegy... it was all for you.
The answers you seek lie buried just beneath the surface, Armand. Everything that I ever felt was there upon the painted stage for all to see. Wander the empty hallways of your memories and you shall find them there. And I; I'll always, always love you.
Sunday, July 11, 2010
Armand, My Love - part 2
Note: Ditto.
Armand was never a saint. I did not love him for his moral values, for his generosity or his kindness. Of course, he wasn't the Akasha kind of evil either. Rather, he was understandably selfish, as all of us are. That's what I like about him. Unlike Edward in Twilight, who is forever saying, "ooh, I'm so evil I have no soul. I can't let Bella love me because I'm a monster. I'm going to protect Bella. I'm selfless. I'll sacrifice myself. I'm going to drink animal blood to show how saintly I am..." Bla bla bla, bullshitting all the way.
He did not hunt human for the fun of it. He drank blood because he needed it and it is the only way to survive. Unlike Lestat who only drink the blood of evil-doers, he sends some sort of telepathy to humans who are suicidal and are seeking ways to die and feed on them. Quote: You see, they all want the embrace. There is a kernel in all of them that is "half in love with easeful death" and as I wander through the late-night streets in the chill hours, I can hear their plaintive sighs, a muted chorus rising from those beds. Its rhythms penetrating the very walls. They summon me. They long for me. Gentleman Death, that has been my epithet, and I so treasure it.
And he did harbour a hatred for Lestat after he destroyed his Satanic coven but he eventually forgave him and they later became intimate friends. In the book, The Vampire Armand, he revealed the secret behind Claudia's death: Claudia offered to leave Louis if Armand could give her the body of a woman, no matter how painful or violent this effort would be. Armand agreed to Claudia's demands, and decapitated her, attempting to place her head – and thus her mind – on the body of another vampire woman, believing that the healing powers of vampire blood would allow Claudia to heal herself. The attempt failed, and, with Claudia near death and Armand seeing that he could rid himself of her and have Louis to himself, he simply locked her in the air shaft with Madeleine and left them both to die.
Don't judge him too badly, Claudia was a bitch and I'm glad she died. Anyway, moving on.
My point is, the Ricean vampires are never saintly good like the Meyers vampires. It actually deals with humanity and philosophy and a bit of cosmology. But then maybe Stephanie Meyers' vampires are more suited for young girls whereas Rice's vampires are more gothic and dangerous and sexual based. In simpler terms, parents would prefer Meyers' books to Rice's. But after all, didn't Oscar Wilde say that the books that the world calls immoral are the books that show the world its own shame?
My passion for the others had been strong while it lasted but it all eventually burned into cinders and died away until it resurfaced months or even years after. But Armand... Armand had always always been in my heart, regardless of whether my mind is full of Natie or Brad Pitt or whoever it is. It is like what Catherine Earnshaw had told Nelly, "my love for Linton is like the foliage in the woods. Time will change it, I'm well aware, as winter changes the trees - my love for Heathcliff resembles the eternal rocks beneath. He's always always in my mind, not as a pleasure, but as my own being."
Armand was never a saint. I did not love him for his moral values, for his generosity or his kindness. Of course, he wasn't the Akasha kind of evil either. Rather, he was understandably selfish, as all of us are. That's what I like about him. Unlike Edward in Twilight, who is forever saying, "ooh, I'm so evil I have no soul. I can't let Bella love me because I'm a monster. I'm going to protect Bella. I'm selfless. I'll sacrifice myself. I'm going to drink animal blood to show how saintly I am..." Bla bla bla, bullshitting all the way.
He did not hunt human for the fun of it. He drank blood because he needed it and it is the only way to survive. Unlike Lestat who only drink the blood of evil-doers, he sends some sort of telepathy to humans who are suicidal and are seeking ways to die and feed on them. Quote: You see, they all want the embrace. There is a kernel in all of them that is "half in love with easeful death" and as I wander through the late-night streets in the chill hours, I can hear their plaintive sighs, a muted chorus rising from those beds. Its rhythms penetrating the very walls. They summon me. They long for me. Gentleman Death, that has been my epithet, and I so treasure it.
And he did harbour a hatred for Lestat after he destroyed his Satanic coven but he eventually forgave him and they later became intimate friends. In the book, The Vampire Armand, he revealed the secret behind Claudia's death: Claudia offered to leave Louis if Armand could give her the body of a woman, no matter how painful or violent this effort would be. Armand agreed to Claudia's demands, and decapitated her, attempting to place her head – and thus her mind – on the body of another vampire woman, believing that the healing powers of vampire blood would allow Claudia to heal herself. The attempt failed, and, with Claudia near death and Armand seeing that he could rid himself of her and have Louis to himself, he simply locked her in the air shaft with Madeleine and left them both to die.
Don't judge him too badly, Claudia was a bitch and I'm glad she died. Anyway, moving on.
My point is, the Ricean vampires are never saintly good like the Meyers vampires. It actually deals with humanity and philosophy and a bit of cosmology. But then maybe Stephanie Meyers' vampires are more suited for young girls whereas Rice's vampires are more gothic and dangerous and sexual based. In simpler terms, parents would prefer Meyers' books to Rice's. But after all, didn't Oscar Wilde say that the books that the world calls immoral are the books that show the world its own shame?
My passion for the others had been strong while it lasted but it all eventually burned into cinders and died away until it resurfaced months or even years after. But Armand... Armand had always always been in my heart, regardless of whether my mind is full of Natie or Brad Pitt or whoever it is. It is like what Catherine Earnshaw had told Nelly, "my love for Linton is like the foliage in the woods. Time will change it, I'm well aware, as winter changes the trees - my love for Heathcliff resembles the eternal rocks beneath. He's always always in my mind, not as a pleasure, but as my own being."
Saturday, July 10, 2010
Armand, My Love - part 1
Note: Continuing from previous post. Btw, this post is purely functioning as a self discovery post and may be dubbed as talking to oneself. But, if interested, please read on.
I'm sure most of you here has heard of Armand. Some of you know that he is a vampire, that even though my lovers change from time to time, my love for him alone remains consistent, some of you watch me write his name on my palm over and over again like a lovesick girl.
Why though? Why has his interminable reign over this ever flighty heart of mine lasted over the years? I have never told anyone the reason. And perhaps I don't know it myself until I've really thought about it. So bear with me, dear friends, as I let the truth be known, not to you but to myself and the phantom of Armand who is forever lingering near my conscious mind.
From the previous post, it is obvious that his life had been a complete wreck. At the estimated age of 9 -11, he was captured by the Turks and forced to work in a Venetian brothel as a sex slave. Then Marius came along and rescued him from the hellhole. But years later, he was separated from Marius and did not see him again until centuries later.
You see, this is how his whole life had been. Whenever he finds happiness or love or a state of peace, something bad comes along the way to destroy it all as if it had only been an illusion and throw him back once more into the cold darkness.
He was often described by others as a pubescent boy, perfect features with a crown of reddish locks, soft brown eyes and the countenance of a Botticelli angel. Even the narcissistic Lestat who believes himself to be the handsomest of them all said, "in a way he made me think of a child doll, with brilliant faintly red-brown glass eyes, a doll that had been found in the attic. I wanted to polish him with kisses, clean him up, make him even more radiant than he already was." And "his face was shining white, and perfect, the countenance of a god it seemed, a cupid out of Caravaggio, seductive yet ethereal, with auburn hair and dark brown eyes."
And it struck me that he was almost the complete opposite of Lestat. (Don't misunderstand me, I love Lestat too.) Lestat, the narcissistic vampire who loves being in the center of the attention, almost always hyped up and exuberant, and forever breaking rules just for the fun of it. Whereas Armand, who always has the aura of sadness around him, is the quiet, mysterious vampire who had such a bitter and heartbreaking past. Armand, who is always seeking new rules to obey: first with Marius as his master, then when he lost him, he joined the Satanic cult and had perfected their ancient rules.
Armand, who could never bear the thought of being alone had said, "We can't stand it, to be alone. We cannot bear it, any more than the monks of old could bear it, men who thought they had renounced all else for Christ's sake, nevertheless came together in congregations to be with one another, even as they enforced upon themselves the harsh rules of single solitary cells and unbroken silence. They couldn't bear to be alone. We are too much men and women; we are yet formed in the image of the Creater, and what can we say of Him with any certainty except that He, whoever He may be--Christ, Yahweh, Allah--He made us, did He not, because even He in His Infinite Perfection could not bear to be alone."
Perhaps I love him because he is too much an innocent child who had suffered the world and yet hid all the cuts and bruises behind a brave face. That behind the near perfect features, the magnificent crown of coppery hair, lurks a battered heart that had been sliced and hacked and had always been dripping with blood. Perhaps I want to hold him in my arms and let the frightened child in him cry his miseries away and kiss away the blood tears across those smooth, white cheeks.
And this is what I love most about him; despite the constant mental and physical torture and the misfortunes that had befallen him over the centuries, he was never overly suicidal. He did immolate himself but it wasn't out of grief. Sure, there were certain times when death seemed the better option, but doesn't that thought occur to us sometimes? And he said something which became one of the favourite quotes of mine, "It's so easy to wish for death when nothing's wrong with you. It's so easy to fall in love with death, and I've been all my life, and seen it's most faithful worshipers crumble in the end, screaming just to live, as if all the dark veils and the lilies and the smell of candles, and grandiose promises of the grave meant nothing. I knew that. But I always wished I was dead. It was a way to go on living."
From the previous post, it is obvious that his life had been a complete wreck. At the estimated age of 9 -11, he was captured by the Turks and forced to work in a Venetian brothel as a sex slave. Then Marius came along and rescued him from the hellhole. But years later, he was separated from Marius and did not see him again until centuries later.
You see, this is how his whole life had been. Whenever he finds happiness or love or a state of peace, something bad comes along the way to destroy it all as if it had only been an illusion and throw him back once more into the cold darkness.
He was often described by others as a pubescent boy, perfect features with a crown of reddish locks, soft brown eyes and the countenance of a Botticelli angel. Even the narcissistic Lestat who believes himself to be the handsomest of them all said, "in a way he made me think of a child doll, with brilliant faintly red-brown glass eyes, a doll that had been found in the attic. I wanted to polish him with kisses, clean him up, make him even more radiant than he already was." And "his face was shining white, and perfect, the countenance of a god it seemed, a cupid out of Caravaggio, seductive yet ethereal, with auburn hair and dark brown eyes."
And it struck me that he was almost the complete opposite of Lestat. (Don't misunderstand me, I love Lestat too.) Lestat, the narcissistic vampire who loves being in the center of the attention, almost always hyped up and exuberant, and forever breaking rules just for the fun of it. Whereas Armand, who always has the aura of sadness around him, is the quiet, mysterious vampire who had such a bitter and heartbreaking past. Armand, who is always seeking new rules to obey: first with Marius as his master, then when he lost him, he joined the Satanic cult and had perfected their ancient rules.
Armand, who could never bear the thought of being alone had said, "We can't stand it, to be alone. We cannot bear it, any more than the monks of old could bear it, men who thought they had renounced all else for Christ's sake, nevertheless came together in congregations to be with one another, even as they enforced upon themselves the harsh rules of single solitary cells and unbroken silence. They couldn't bear to be alone. We are too much men and women; we are yet formed in the image of the Creater, and what can we say of Him with any certainty except that He, whoever He may be--Christ, Yahweh, Allah--He made us, did He not, because even He in His Infinite Perfection could not bear to be alone."
Perhaps I love him because he is too much an innocent child who had suffered the world and yet hid all the cuts and bruises behind a brave face. That behind the near perfect features, the magnificent crown of coppery hair, lurks a battered heart that had been sliced and hacked and had always been dripping with blood. Perhaps I want to hold him in my arms and let the frightened child in him cry his miseries away and kiss away the blood tears across those smooth, white cheeks.
And this is what I love most about him; despite the constant mental and physical torture and the misfortunes that had befallen him over the centuries, he was never overly suicidal. He did immolate himself but it wasn't out of grief. Sure, there were certain times when death seemed the better option, but doesn't that thought occur to us sometimes? And he said something which became one of the favourite quotes of mine, "It's so easy to wish for death when nothing's wrong with you. It's so easy to fall in love with death, and I've been all my life, and seen it's most faithful worshipers crumble in the end, screaming just to live, as if all the dark veils and the lilies and the smell of candles, and grandiose promises of the grave meant nothing. I knew that. But I always wished I was dead. It was a way to go on living."
Thursday, July 8, 2010
The Story of Armand
Note: First of all, I expect you to think that I love him because he is a vampire and he is hot. But I now see that there is more to it than that, and I'm not as shallow as thought. I love him for who he is and of course, being a vampire enhanced his uniqueness. But it doesn't define who he is, it is merely a part of him for if he isn't a vampire, then he won't be who he is. However I will get back to that in the next post. To truly understand him, I'll give a very brief account of his biography - life, death and afterlife.
Armand was seventeen when he was brought into the Dark World. His earlier years were a fountain of misfortune as he was kidnapped by slave traders and sold to a brothel in Venice. I saw these men and knew what they wanted, that this was vice, and despicable and the price of it was Hell. He refused to eat and drink and on the brink of death by starvation, he was rescued by Marius.
He came to love Marius as a lover and they had a clandestine relationship. But one day, he got mortally wounded by an ex-lover with whom he had a brief affair and did not reciprocate his love. Desperate to save Armand, Marius did the only thing he could which was to turn him into a Child of Darkness. As quoted, I wouldn't allow death to take him away from me, so I took him from death.
Soon later, a coven of Satanic vampires who believed that being a vampire meant an eternity of serving Satan destroyed Marius' home and took Armand away. Marius was supposedly burned to death but later revealed to be still alive. Armand, heart crushed to a pulp by the death of his beloved Marius, joined the cult itself and later went to Paris as a coven leader.
After a long reign in Paris as the coven leader, he met Lestat who was a newborn. Though discarding it as nonsensical gobbledygook, Armand had taught his fledglings that if they were to set foot in the church, God would strike them into dust. Then, Lestat came along, striding arrogantly amongst humans, dressed in the finest garments had shattered the fledglings' beliefs. All faith was destroyed and Armand was left all alone, bound by centuries of abiding the old rules and the Satanic cult was no more.
Taking pity on the now detached Armand, Lestat had given him a theater, the Theatre des Vampires, where Armand created a new coven of vampires who acted and danced and sang on stage while the mortals all thought that the vampiric movements, attire and features were merely brilliant acting on their part.
In the later years, he fell in love with Daniel Molloy, who after becoming a vampire went into a catatonic state. And when Armand tried to immolate himself by throwing himself into the sun, he got burnt very badly but nevertheless survived. Benji and Sybelle, two humans, took care of him and nursed him back to health. He had since then been with them and the story then ends.
Subscribe to:
Posts (Atom)